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Mercy! Has it really been 17 days since Rabbit Heart Poetry Film Festival wrapped? It feels like it was just this last weekend, and I am still absolutely flying from it. We had a spectacular weekend celebrating poetry on film – you can see all the good stuff here (pictures) and here (the finalists) and here (all the films), if you weren’t able to make it, or if you want to relive it (highly recommended! Omg, so much good work!)
I feel like I came out of this year better than I went into it – it’s been a slammin’ year, y’all.* And I was about a week behind the whole time. And I got super ambitious halfway through when I realized we had a glut of Very Good Submissions, so I decided we needed a second day of showings, but hadn’t really thought about the work that entailed (oops). So what I’m saying is that, whoa – I’m kinda proud of myself for getting it together on time.
But more than that, I’m still awash in all the feels about the the festival itself. In a nutshell, even with a couple of late-presenting snafus, it went off beautifully, and I was thrilled with the shows. But more than that, I was thrilled with the connections that happened.
Friends came from across state and out of state. There were lots of hugs, and people got to reunite and to meet each other – some of them who had learned about each other just online. Makers met makers and talked about the things that makers talk about when you get them together. It was more than I could have hoped for.**
Looking down the barrel of the afterparty,*** I very much expected that when everything was put to bed this year, I would be exhausted. But instead I put it down feeling invigorated, inspired, and excited.
One of the things I do at festival is catch as much footage as I can of people talking about the festival. Mostly it’s because I love a souvenir (and also, it’s for grant apps), and there’s nothing nicer than a moving snapshot, hello. But also, it’s because I am a curious creature who’s generally engaged in some research, and primary sources are the best thing in the world for research purposes. So I asked questions – I asked about process, and about favorites, and about what it’s like to be a judge or a filmmaker, or an audience member. I asked What made you do this? I asked How does it feel on this side of the curtain? I asked What do you think about the short film format? I asked How did you pick your collaborators? And it turns out that I know some super smart people who have super smart answers, and I was bowled over, and humbled, and overjoyed to hear the answers.
September has come and hit me full in the face, and I sincerely cannot believe the shit I’ve gotten myself into. Where do I even start?
Rabbit Heart Poetry Film Festival is rolling along smoothly, at least. We’re coming up on the last little bit of judging this week, and then it’s on to let the finalists know that their films are moving on. Which is probably the most exciting part of this, outside of the actual festival dates – really, is there anything finer than handing out good news?
In the meanwhile, there are the details: tickets go on sale tomorrow, there’s a final judging party on Tuesday, the shows need to be curated and the program printed, posters need to be made, the trophies need to be constructed… And Sunday Rabbit Heart is the spotlight feature at the 7Hills Poetry reading with Angelique Palmer, so today and tomorrow are going to be a story of mad scrambling to put gear together. Next year we hire an intern, hello. #somanydetails
This is the process: You get it wrong. You make adjustments. You get it wrong. You make adjustments. You get it wrong. You get lucky and see something that you didn’t see before, or you make a connection all of a sudden. Something different turns up wrong. You make adjustments.
And eventually, you not only get it right, but you understand how to do it right. And further down the road, you get good at it. Far down the road, you can even claim some mastery.
It’s the process. The process is probably law. Sister Corita Kent knew about the process. When she put together her rules for the Immaculate Heart College Art Department, number 7 was:
“The only rule is work.
IF YOU WORK IT WILL LEAD TO SOMETHING.
IT’S THE PEOPLE WHO DO ALL OF THE WORK ALL THE TIME
WHO EVENTUALLY CATCH ON TO THINGS.”
It doesn’t say anything in there about sussing out printer issues, but that’s likely because she was all about the letterpress.* If she had been a computer user, I’m 100% sure that there would be something specific about the printer.